HAWLEY — Alice Parker, who composed more than 500 pieces in a life devoted to singing and song, died at her home in Hawley early on Christmas Eve. She was 98.

While Parker’s work included operas, song cycles, cantatas and anthems, she was particularly known for the spirituals, hymns and folk songs she arranged over the years, beginning during her longtime association with conductor Robert Shaw.

As a child, Parker spent summers in Hawley at the aptly named Singing Brook Farm.

“My father bought land in Hawley before I was born,” she had said in a recent interview. “I think I was 4 months old the first time I came here, and it has always felt like home to me.”

With her siblings she swam, ambled up and down the brook as far as she could, and developed a lifelong affinity for the hills around her. Along the way, she sang and made up tunes.

“It was pretty clear from the time I was 8 or so that I was going to be a composer,” she recalled.

Parker graduated from Smith College and went on to The Juilliard School in New York. There she studied music and conducting with choral impresario Robert Shaw and became his collaborator, arranging music for the Robert Shaw Chorale.

She worked with Shaw for 20 years. Their joint composition balanced much of the musical education she had received. The academy had emphasized originality and dissonance. Her time with Shaw, and her own heart, taught her the importance of melody and tradition — and the importance of being attuned to the human voice.

She maintained that the focus of her teaching was “to get people to listen to the music in the air, not the music imprisoned on a page.”

Parker married baritone Thomas Pyle, had five children, and did her best to balance work and home in their New York apartment. When Pyle died after 21 years of marriage, Parker said she was “faced with crafting a career for myself in uncharted waters, and also supporting these five children as they grew.”

Returning to ‘heart’s home’

When Parker turned 70, she decided to move full time to Hawley, to what she had always thought of as her “heart’s home.” She became active in the town’s historical society, the Sons and Daughters of Hawley. Residents still chuckle as they recall the day in 2016 when she dressed as “Alfred Parker” to enter a Sons and Daughters pie competition that was restricted to male contestants.

Parker also continued her involvement with Mohawk Trail Concerts, the chamber music series she helped to found and attended every summer. She was a longtime board member, most recently with emerita status.

Mark Fraser, Mohawk Trail Concerts’ executive artistic director, remembered Parker’s many matchless qualities, among them her institutional memory.

“When a question came up, even longtime board members would be scratching their heads, but Alice would come up with a nugget of how things had always worked and remind us of the history of Mohawk Trail Concerts,” he said.

He also celebrated her capacity to attract board members and donors just by being who she was. Above all, he recalled her wisdom, calling her “a clear thinker.”

When worries about the budget arose, the treasurer would wonder aloud whether the concerts should slash their expenditures, Fraser noted. Parker always said of the money, “It’ll come.”

“And she was correct,” Fraser said.

Parker also taught for more than two decades. In New York, she had often traveled to her students. In Hawley, they mostly came to her. Composers, conductors and song leaders would arrive for a week of intensive study, staying at the family farmhouse up the road from Parker as her fellows.

The group members cooked for each other and for Parker, who maintained that good musicians are pretty much always good cooks.

“It was planning our lives together,” she said of this experience, with each fellowship week culminating in a community sing. “It was music as a way of life.”

Lifelong friendships through music

Some of Parker’s fellows turned into lifelong friends. Alison Seaton, a music teacher and conductor in Washington, returned every summer to spend time with Parker.

“Alice Parker was my teacher, mentor and most importantly, my friend for the last 15 years,” Seaton wrote in an email. “She was a master teacher who asked that her students be willing to explore our craft in a new and elemental way — always through the lens of the text and melody first.

‘“What is the song asking of you?’ she would ask us. She was generous. She shared her home, family and oh-so-delicious family recipes,” Seaton said. “I am a transformed conductor for having studied with her, but, more importantly, I am a better human for having known her.”

As Parker aged and became more meditative, she came to see the three facets of her work — composing, teaching and song leading — as the three equally crucial legs of the stool of her life.

In 1984 she founded Melodious Accord, a nonprofit that organized classes and symposia, published music, and celebrated the human voice. It also printed books that spread Parker’s philosophy of music.

The organization thrived on help from musicians and supporters who believed in Parker’s mission. Among these were Kay Holt and Marilyn Pryor of South Hadley, who volunteered to help her in any way they could.

“As two biologists who love to sing, our first meeting with Alice Parker filled us with awe as it did so many others,” the two wrote in a joint statement. “Little did we know that in our retirement we would spend 23 years with her, traveling thousands of miles to hundreds of conferences, workshops, SINGS and recording sessions in the U.S. and Canada.

“We came to know her not just as a legendary figure in choral music,” Holt and Pryor said, “but for her tolerance and warmth for all people.”

‘Gifts that enriched us all’

Parker was also a longtime member of the Federated Church in Charlemont. Mick Comstock, the church’s former minister (and a current member), remembered her contributions to the church.

“For years at Christmastime, she led us in an evening of singing Christmas carols,” he said. “These were, of course, not her compositions but belonged to the world.

“The importance of these evenings was not what she did, but what she allowed to come forth from us. We were the singers, and our hearts were stirred as the songs resonated back through all our lifetimes to the very first time we heard them and sang them,” Comstock said.

“This is an illustration of what she did for us every time she was with us. With us, she was not a composer or a performer. She was a fellow member with gifts that enriched us all, and became a lesson for us in how our own varied gifts enrich us all.”

In the last few years, macular degeneration began to restrict Parker’s ability to work. Her mind never lost its sharpness, however, and she continued to cherish music, family and community.

One of her last local public appearances was at the Ashfield FilmFest in September for a showing of “Alice: At Home with Alice Parker.” For the 2021 film, Director Eduardo Montes-Bradley interviewed Parker about her work and life against the backdrop of a stark Hawley winter.

After Parker’s death, Montes-Bradley philosophized about what he had learned from her.

“With Alice, I learned to listen more and talk less, and that love is invisible,” he recalled. “Alice was the mother we all wish we had. In fact, I wouldn’t mind if my own was just a bit more like her. I know, Alice, I am doing it again. I am talking too much.

“And from Alice I also learned that we must sing because birds do.”

In recent months, Parker’s children — David, Tim, Kate, Molly and Elizabeth — cared for her at home. She is survived by them and their partners and spouses, as well as by her sister, Mary Stuart Parker Cosby; six nieces and nephews; 11 grandchildren; and six great-grandchildren.